Image of Tetsuya Umeda
The intriguing Tetsuya Umeda, a marriage-equality mixtape, new releases from raven and Kelela, and Burial’s ‘Untrue’ ten years on
By Anwen Crawford on the
Exhibitions by Brent Harris and Karl Wiebke reinforce how abstract painting can both beguile and explore big questions
By Quentin Sprague on the
By Nick Feik on the
Image of Rhetorical Chorus
Agatha Gothe-Snape’s performance work interrogates and celebrates one of the great conceptual artists
By Fiona McGregor on the
Image of Amy Winehouse
An exhibition at the Jewish Museum of Australia pieces together missing components of the late singer’s identity
By Jenny Valentish on the
Still from Mindhunter
The Australian actress talks about her key role in Netflix’s ’70s-set FBI series
By Cameron Williams on the
There is a stark difference in how the Victorian premier and the PM approached their respective hot-button issues
By Mungo MacCallum on the
The lo-fi New Yorkers take on a Robert Pattinson–starring genre thriller
By Harry Windsor on the
Attempts to encourage censorship and deliberate amnesia seldom work
By Mungo MacCallum on the
Cover of Navigator Between Worlds
Reflections on one of the great essayists at the launch of a new biography
By Martin Krygier on the
Cover of Sour Heart
Jenny Zhang’s short-story collection offers complex, radical versions of immigrant girlhood
By Jessica Au on the
In retrospect, the Hawke years seem something of a golden age.
By Mungo MacCallum on the
Cover of The Library
Stuart Kells celebrates book collections real and imagined, tangible and intangible
By Adam Rivett on the
Still from Cao Fei’s Rumba II: Nomad
Five Australian and international artists engage with history, impermanence and decay
By Quentin Sprague on the
Screenshot of Macklemore
They can and they do, and politicians only object when it’s a message they don’t like
By Mungo MacCallum on the
By Nick Feik on the
In 2017, why is it so alien to have women of colour heading up a science fiction franchise?
By Myke Bartlett on the
Armando Iannucci and Lucrecia Martel shine at this year’s TIFF
By Shane Danielsen on the