Punters may be disappointed by what it uncovers
By Mungo MacCallum on the
Image from ‘Molly’s Game’
The screenwriter leaves nothing unexplained in his directorial debut
By Harry Windsor on the
An image from Mofo 2018
A particularly genteel and suitably confusing festival
By Jenny Valentish on the
Image of James Turrell's 'Beside Myself'
The Hobart museum’s new wing will mess with your senses, in the most wonderful way
By Jenny Valentish on the
Australia Day honours are at odds with our democratic ideals
By Mungo MacCallum on the
By Nick Feik on the
Australia’s republican past and future: a Benjamin T. Jones book extract
By Benjamin T. Jones on the
The Horse Trotted Another Couple of Metres, Then It Stopped
The German artist transforms Carriageworks
By Quentin Sprague on the
Still from The Commuter
Having conquered planes and automobiles, Neeson and director Jaume Collet-Serra move the action to trains
By Harry Windsor on the
Image of The xx
The British band bring their intimate sound to an expansive venue
By Anwen Crawford on the
John Alexander’s victory has instilled Malcolm Turnbull with some fighting spirit
By Mungo MacCallum on the
The Sydney Festival-bound show’s choreographer loves mixing the body with technology
By Steve Dow on the
Cover of Atlantic Black
This ambitious second novel doesn’t quite live up to its Miles Franklin–winning predecessor
By Adam Rivett on the
Image from Barbara and the Camp Dogs
Part cracking musical, part Indigenous family drama, Belvoir’s latest production deserves to go far
By Fiona McGregor on the
An exhibition showcases a painter who took an untrodden path though a familiar landscape
By Sophie Cunningham on the
Has Jeffrey Tambor given the groundbreaking series its most definitive ending?
By Craig Mathieson on the
Dastyari’s China-related missteps have been a gift for Turnbull – one that the PM hopes will keep on giving
By Mungo MacCallum on the