‘One Hundred Years of Dirt’ by Rick Morton
A social affairs reporter turns the pen on himself
October 2012
Arts & Letters
The Best of Australian Arts 2012
October 2012
A day for some Australians
January 26 is going to remain controversial
Toronto International Film Festival 2018 (part two)
The ordinary and the extraordinary at this year’s event, and the perils of criticism
‘The Harp in the South’ at Sydney Theatre Company
Kate Mulvany’s adaptation proves that Ruth Park’s epic endures
Leonard Bernstein: show tunes and symphonies
Centenary celebrations highlight the composer’s broad ambitions and appeal
The hermitic world of Debra Granik’s ‘Leave No Trace’
The ‘Winter’s Bone’ director takes her exploration of family ties off the grid
Low’s ‘Double Negative’: studies in slow transformation
Twelve albums in, the Minnesota three-piece can still surprise in their unique way
To have or not to have: Sheila Heti’s ‘Motherhood’ and Jacqueline Rose’s ‘Mothers’
Heti’s novel asks if a woman should have a child; Rose’s nonfiction considers how society treats her if she does
The male gaze of ‘Ladies in Black’
Bruce Beresford’s adaptation lacks the charm and pathos of the classic novelToronto International Film Festival 2018 (part two)
The ordinary and the extraordinary at this year’s event, and the perils of criticism‘The Harp in the South’ at Sydney Theatre Company
Kate Mulvany’s adaptation proves that Ruth Park’s epic endures
Feeding the Muppets
What does the Morrison government have to offer in terms of serious policy?
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