Stephen Maxwell Johnson’s foray into Australia’s violent colonial history is a visually spectacular, if overfamiliar, revisionist Western

David Fincher’s biopic of Orson Welles’s collaborating writer favours technique over heart

Filmmaker Kirsten Johnson deals with her father’s decline into dementia by “killing” him through various means

American democracy is documented in all its gangly, acne-mottled glory

Forget comparisons to cinema, TV is developing its own compelling aesthetic

Post Black Lives Matter, the hit musical already feels like a souvenir from a vanished pre-Trump America

Re-watching the films of the most successful screen actor of the 20th century

Melbourne-born, New York–based filmmaker Kitty Green’s powerfully underplayed portrait of Hollywood’s abusive culture

What is the future of cinema without cinemas?

A multicultural vision underscores the acclaimed British satirist’s endearing Dickensian romp

Even with a new artistic director, this year’s Berlinale failed to inspire

A breathtaking North Macedonian film about Europe’s last female keeper of wild bees exists compellingly at the intersection of documentary and fiction

The Australian director brings a welcome sense of style to the unusually malleable story

Reuniting with De Niro, Pacino and Pesci, the acclaimed director has delivered less of a Mob film than a morality play

A gripping psychological study of psychosis offers a surprising change of pace in the superhero genre