
Culture
November 24, 2017Strength in numbers at Neon Parc
‘Mira Gojak / Elizabeth Newman’ illustrates the possibilities for curated shows in commercial galleries
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Culture
November 24, 2017Strength in numbers at Neon Parc
‘Mira Gojak / Elizabeth Newman’ illustrates the possibilities for curated shows in commercial galleries
Culture
December 1, 2017A space of one’s own
Histories personal and national inform Helen Johnson’s large-scale canvases
Culture
October 30, 2017Two approaches to abstraction
Exhibitions by Brent Harris and Karl Wiebke reinforce how abstract painting can both beguile and explore big questions
Culture
October 2, 2017The possibilities of flux at the TarraWarra International
Five Australian and international artists engage with history, impermanence and decay
Culture
June 21, 2017What is art for anyway?
Ian Potter Museum for Art’s ‘Vertigo Sea’ and ‘I was born in Indonesia’ are very different answers to the same question
Culture
May 17, 2017After ‘Sovereignty’
ACCA’s exhibition of contemporary Indigenous art was a long overdue success
Culture
April 20, 2017Archives are us
The collected wisdom of Patrick Pound and Brook Andrew at NGV
Culture
December 1, 2016A moveable feast
What does it take to transform the National Gallery of Australia into the Palace of Versailles?
Culture
November 1, 2016Seeing visions
Lynette Wallworth’s ‘Collisions’ brings virtual reality to the Western Desert
Culture
April 1, 2016Life’s work
Artist Jan Senbergs prepares for his NGV retrospective
Culture
December 1, 2015Bringing them home
The National Museum of Australia’s ‘Encounters’ and the politics of collection
Culture
March 1, 2015The extraordinary Mrs Gabori
The meteoric career of Kaiadilt painter Mirdidingkingathi Juwarnda
Matthew Barney’s ‘River of Fundament’
Museum of Old and New Art, Hobart (until 13 April 2015)
Art
March 1, 2014National Gallery of Victoria’s ‘Melbourne Now’
Melbourne Now, the NGV’s ambitious exhibition of the city’s contemporary art and related disciplines, has been a varied undertaking. This is partly because contemporary art, unlike modern art before it, presents no unified front. Or, put …
Art
December 1, 2013Two painters in the Kimberley
The unlikely collaboration of Paddy Bedford and Tony Oliver