September 25, 2018
‘The Harp in the South’ at Sydney Theatre Company
Culture
Kate Mulvany’s adaptation proves that Ruth Park’s epic endures
Fiona McGregor
By this author
November 7, 2017
Liveworks in review: ambitious, engrossing
Culture
The annual festival of experimental art energised Sydney’s Carriageworks over ten days
December 13, 2017
‘Barbara and the Camp Dogs’: politics and heart in the pub
Culture
Part cracking musical, part Indigenous family drama, Belvoir’s latest production deserves to go far
November 1, 2017
‘The Second Woman’: a triumph of endurance theatre
Culture
Nat Randall plays a five-minute scene of attempted reconciliation – with 100 different men over 24 hours
October 26, 2017
The strange magic of ‘Rhetorical Chorus’
Culture
Agatha Gothe-Snape’s performance work interrogates and celebrates one of the great conceptual artists
August 22, 2017
A family in flux
Culture
Taylor Mac’s ‘HIR’ at Belvoir is not your average kitchen-sink drama
July 25, 2017
Bold as ‘SHIT’
Culture
Susie Dee and Patricia Cornelius deliver the wake-up call Australian theatre needs
August 1, 2017
‘Bennelong’ by Bangarra Dance Theatre
Culture
Sydney Opera House (touring Canberra, Brisbane, Melbourne)
October 1, 2016
Self effacing
Culture
‘Mike Parr: Foreign Looking’ brings the anti-institutional artist to the National Gallery of Australia
August 1, 2015
The experience machine
Culture
Marina Abramović in Australia
December 1, 2011
Island rising
Society
Cockatoo Island, Sydney Harbour