Craig Mathieson

The anthology makes a comeback with ‘Modern Love’ and ‘Criminal’; new ‘Harlots’; and ‘Living with Yourself’ delivers low-key high-tech farce

‘Unbelievable’ and ‘Murder in the Bayou’ expose cultures that devalue women; ‘Shrill’ warmly challenges prejudice; and ‘The Politician’ takes student politics to another level

Heroes and villains take many forms in ‘Mindhunter’, ‘The Boys’ and ‘Bosch’, and the Obamas make their Netflix debut with ‘American Factory’

Director Jeffrey Walker blends ripe melodrama and Gothic thriller in his TV series about three wayward nuns

The sheer scale of Roger Ailes’s wrongs defies the medium of television

The HBO comedy-drama returns for another gleefully toxic season

Low-profile comedies ‘Flowers’, ‘Workin’ Moms’ and ‘Derry Girls’ beguile; ‘Veronica Mars’ revived; and Netflix and Marvel break up

‘Dark’ makes a wild return, ‘Good Omens’ approaches the apocalypse lightly, ‘City on a Hill’ moves beyond the crime genre’s prerequisites, and new ‘Black Mirror’

‘When They See Us’ and ‘Catch-22’ examine flawed institutions, ‘Dead to Me’ astutely studies the living, and ‘Fleabag’ makes a must-see return