The uncategorisable English author delivers an ‘anti-memoir’ meditating on the profound relationships between memory, imagination and fiction

Underestimating the economic value of arts labour reminds of the Aesop fable ‘The Ant and the Grasshopper’

Back to Back Theatre’s ensemble, work and philosophy have drawn international acclaim, and now theatre’s most prestigious prize

How the diminishing government support for the arts is taking its toll

Beckett’s knotty novel is masterfully interpreted for stage by Barry McGovern

Malthouse Theatre’s ‘The Real and Imagined History of the Elephant Man’ runs the risk of erasing its protagonist

La Mama, one of Australia’s most influential theatre companies, turns 50

Malthouse Theatre’s ‘Revolt. She Said. Revolt Again.’ is an exciting but nihilistic condemnation of how contemporary feminism has been derailed

‘Macbeth’ at Melbourne Theatre Company attempts to draw on the tension between high and low art

Fraught Outfit’s ‘Book of Exodus: Part I’ explores the written word in a realm beyond language

‘The Gulf’ explores the family dynamics of abuse and its effects on children

‘Wild Bore’ at the Malthouse Theatre is an irreverent criticism of criticism itself

Malthouse Theatre and Sydney Theatre Company’s co-production of ‘Away’ explores the shadows of Gow’s sunny and much-loved text

‘Joan’, created by Kate Davis and Emma Valente, is sensory, shapeshifting theatre at its very best

The Asia TOPA festival is unique for its focus on contemporary Asian culture