The bin fire of the humanities
Casualisation and relentless cost-cutting have destroyed the credibility of Australian universities
The Monthly | Australian politics, society & culture
The Latest
Topping February’s streaming highlights is a four-part series examining trauma and addiction, propelled by Stephen Graham’s affecting performance
‘Fragile Monsters’ by Catherine Menon
Memories of the Malayan Emergency resurface when a mathematician returns to her home country, in the British author’s debut novel
‘TIWI’ at the National Gallery of Victoria
A must-see exhibition of Tiwi art from Bathurst and Melville islands, in which historical and contemporary media and imagery fuse
The Monthly Essays
The bin fire of the humanities
Casualisation and relentless cost-cutting have destroyed the credibility of Australian universities
After the chaos of Trump’s loss and the Capitol Hill riot, the Republican Party is at war with itself, and the warning signs for America are loud and clear
Financial institutions, investment funds and governments are being held to account over the costs of climate change
The Nation Reviewed
Constitutional protection is essential if the voice to parliament is to be a meaningful change
The Marram-Ngala Ganbu program is transforming the experience of Indigenous families in court
Deathmatch Downunder is making wrestling progressive, accessible and inclusive
The ‘dog philosopher-king’ who teaches the owners rather than training the pets
Vox
The artist formerly known as bin Laden
Conversations with Omar bin Laden about art, cowboys and growing up the son of the world’s most notorious terrorist
Arts & Letters
The composition of emotion: Rose Riebl
The pianist and contemporary classical composer bringing a virtuosic touch to minimalism
Pride and prejudice: ‘It’s a Sin’
‘Years and Years’ creator Russell T. Davies turns his attention to the despair, anger and protective humour of the gay community in HIV/AIDS-era Britain
Drawn to the drift: Chloé Zhao’s ‘Nomadland’
The award-winning film about America’s itinerants steers away from the darker stories of the working poor
Listening to country: ‘Fractures & Frequencies’ and ‘Infractions’
Elegiac installations from Megan Cope and Rachel O’Reilly at UNSW Galleries call for an understanding of the land as a living entity under threat
Noted
‘The Committed’ by Viet Thanh Nguyen The philosophical thriller sequel to ‘The Sympathizer’ sends its Vietnamese protagonists to the Paris underworld
‘For the first time’ by Black Country, New Road The debut from the latest British Art School Band delivers perfect pop with arch lyrics that owe a debt to Jarvis Cocker
