The Monthly | Australian politics, society & culture

The Latest

Holgate strikes back

Today

Scott Morrison humiliated the wrong woman

Up the river

Politics

Hope is running dry in the Murray–Darling Basin

Green house effect

Culture

Joost Bakker’s vision for sustainable housing is taking root

Serenity

Society

Give us not serenity but a sense of urgency in the face of catastrophic climate change

The death of Yokununna: ‘Return to Uluru’

Culture

Mark McKenna explores Australia’s history of violence, dispossession and deception through one tragic incident

Bitter pill: ‘Collective’

Culture

This staggering documentary exposes institutionalised corruption in Romanian hospitals


The worst form of defence

New revelations of Australian war crimes in Afghanistan


The Monthly Essays

The worst form of defence

New revelations of Australian war crimes in Afghanistan

Up the river

Hope is running dry in the Murray–Darling Basin




The Nation Reviewed

Dangerous precedents

Criminal law is not the only legal avenue to consider Christian Porter’s accountability and his future

Plight of the platypus

Extreme weather events are affecting this monotreme in unforeseen ways

Green house effect

Joost Bakker’s vision for sustainable housing is taking root


Arts & Letters

The death of Yokununna: ‘Return to Uluru’

Mark McKenna explores Australia’s history of violence, dispossession and deception through one tragic incident

The lightness of unbearable being: ‘Double Blind’

Edward St Aubyn tackles familiar themes – desire, drug use, psychoanalysis – via a fresh suite of characters

Amorality tale: ‘Judas and the Black Messiah’

Told from an unexpected perspective, Shaka King’s film is one of the best recent-historical dramas

Girls don’t cry: Arlo Parks and Phoebe Bridgers

Two young musicians spark the old double standard of judging female artists who demonstrate their pain



Noted

‘On the Line’ by Joseph Ponthus Poetry is found in the processing plants of Brittany By Stephanie Bishop

‘Clarice Beckett: The Present Moment’ This AGSA exhibition goes a long way to redress an Australian artist’s meagre reputation By Miriam Cosic


In Light of Recent Events

You don’t have to be a federal MP to master the non-answer