Australian politics, society & culture

World War II

By Shane Maloney and Chris Grosz
Illustration by Jeff Fisher.
Veterans return to Vietnam
By Mark Dapin
All That Is, James Salter, Picador; $29.99
By James Salter
By Robyn Annear
Image from ‘The Last Diggers’ by Ross Coulthart. Courtesy of HarperCollins.
Why do Australians lust for heroic war stories?
By Mark McKenna
Paul Thomas Anderson’s ‘The Master’
By Luke Davies
'HHhH' by Laurent Binet, Harvill Secker; $32.95
By Catherine Ford
The identification disc in question. Image courtesy of Robin Barker.
A father’s World War II keepsake sparks a harrowing journey
By Robin Barker
Illustration by Jeff Fisher.
Forgotten People, Elites and Class Warfare
By Nick Dyrenfurth
Clive James, 2006. © David Levenson/Getty Images
A correspondence with Clive James
By Paola Totaro
Illustration by Jeff Fisher.
Lice Infestations in Australia
By Christine Kenneally
Carlos the Jackal, France, c. 1970. © AFP / Getty Images
Olivier Assayas’ 'Carlos' and Terrorists in Film
By Kate Jennings
Tom Hooper’s 'The King’s Speech' and Derek Cianfrance’s 'Blue Valentine'
By Luke Davies
Illustration by Jeff Fisher.
By Kirsten Tranter
By Michelle de Kretser
“Hello, this is Paul Chowder, and I’m going to tell you everything I know.” That’s a good opening sentence: it’s colloquial and grabby, in a telemarketing sort of way, and it signals the didactic intent of the narrative. This beginning also encapsulates two characteristic features of Nicholson Baker’s work: the

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