Australian politics, society & culture

Science and technology

Mary Finister at work. © Michael Amendolia
Meeting Mary Finsterer
By Andrew Ford
Andrew Fraser. Image courtesy of Lindy Allen.
Meeting Andrew Fraser
By Jack Marx
Louise Bourgeois, 'Harmless Woman', 1969. Bronze, gold patina. Image courtesy of Cheim and Read, Galerie Karsten Greve and Galerie Hauser and Wirth © Estate of Louise Bourgeois. Photograph by Christopher Burke.
Alice Neel and Louise Bourgeois
By Drusilla Modjeska
Glenn Murcutt with a model of the house he built for Banduk Marika at Yirrkala in Arnhem Land, 2009. © Jim Trifyllis/Newspix
Meeting Glenn Murcutt
By Peter Robb
A guide to the Murray Darling Basin
By Kate Jennings
The rush to diagnose ADHD
By Gail Bell
Words: Shane Maloney | Illustration: Chris Grosz
By Shane Maloney and Chris Grosz
Words: Shane Maloney | Illustration: Chris Grosz
By Shane Maloney and Chris Grosz
Words: Shane Maloney | Illustration: Chris Grosz
By Shane Maloney and Chris Grosz
Illustration by Jeff Fisher.
By Guy Pearse
Antony Gormley’s 'Firmament IV'
By Robyn Davidson
Like all stereotypes, “stupid as a painter” – intended to cover visual artists of every persuasion – reveals itself as a truth via its exceptions. Antony Gormley is one of those exceptions. He spoke about his work recently, at the Art Gallery of New South Wales, with rare and affecting eloquence, managing to avoid (
Eugene O’Neill’s 'Long Day’s Journey into Night'
By Peter Conrad
Eugene O’Neill thought of his Long Day’s Journey into Night as a posthumous work. Completing it in 1941, he decided that it should only be published 25 years after his death; he also stipulated that it should never be performed, effectively killing it before its creation. Writing it made him feel like a dead man – a
By Amanda Lohrey
The Powerhouse is not atypical; it exists within a broader museum culture in Australia that tends toward the lacklustre and the disjointed. So much exhibition design is pedestrian, or worse, confused and at times chaotic. I am not interested in miscellaneous collections of relics displayed with brief notes on their
Illustration by Jeff Fisher.
By Malcolm Knox
Illustration by Jeff Fisher.
Water Policy
By Mark Aarons
By Michelle de Kretser
Central to Lyndall Gordon’s biography of Henry James is an extraordinary scene. As daylight fades over Venice, James drops a dead woman’s dresses into the lagoon. But the garments fill with air and won’t drown, pressing up against the novelist’s gondola. The scene is riveting for what it tells us about James, but also
The Methadone Program at 40
By Gail Bell
Two old hands who dose at the pharmacy where I work (a couple, Danny and Carla) have been using since they were 18. They are in their forties now, have raised their kids (the eldest is at university), and keep a neat house in the suburbs. This is their third go at methadone and they think they’ll stick with it this
By Malcolm Knox
The one constant is the belief of nuclear proponents – as durable as a radioactive isotope – in their technology. Even though the political momentum for introducing nuclear energy in Australia has been lost, advocates are supremely confident that the ‘nuclear renaissance’, touted for years and firmly underway