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Sebastian Smee

Sebastian Smee is the visual arts critic for the Boston Globe and winner of the 2011 Pulitzer Prize for criticism. He has also written for the Australian and the Daily Telegraph.
 
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Arts & Letters

No Script, No Storyboard: William Kentridge

Sebastian Smee

“What times are these,” wrote Bertolt Brecht in his poem, ‘To Those Born After’, “when a talk about trees is almost a crime because it...

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Noted

What’s in a Face? Aspects of Portrait Photography: Art Gallery of NSW - 24 September 2011 to 5 February 2012

Sebastian Smee

What can you read into a photograph of a face? Hurt. Happiness. Confidence. Contempt. There’s no limit. Indeed, if you’re anything like me...

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Art, Arts & Letters

Republic of Art: 'The Mad Square: Modernity in German Art 1910–37'

Sebastian Smee

You can look at French art of the 1870s and momentarily forget about the Franco–Prussian War and the Paris Commune. You can study the...

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Vanity Case: The 54th Venice Biennale

Sebastian Smee

Who would have thought that the first major movement of the twenty-first century would be a revival of trompe l’oeil? I admit, it’s...

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Books, Arts & Letters

Shadow Play: Peter Robb’s 'Street Fight in Naples: A Book of Art and Insurrection'

Sebastian Smee

The first time I read Peter Robb’s Midnight in Sicily was also the first time I travelled around Sicily. The first and only. I remember at...

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Books, Noted

'Point Omega' by Don DeLillo

Sebastian Smee

The title of Don DeLillo’s new novel reverses a concept known as the Omega Point, which was coined by the renegade Catholic thinker Pierre...

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Books, Arts & Letters

Animating Spirits: Janine Burke's 'Source: Nature's Healing Role in Art and Writing

Sebastian Smee

Janine Burke’s Source (Allen & Unwin, 400pp; $55.00) is about the inspiration and sanctuary that artists have found in nature. It reads...

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Books

C'est la vie: Edmund Capon's "I Blame Duchamp"

Sebastian Smee

No one ever seems surprised by Edmund Capon’s success, for he is charm incarnate. He has led one of Australia’s most visited art galleries...

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Art, Arts & Letters

A Matter of Taste: The 53rd Venice Biennale

Sebastian Smee

Art that indulges anarchic impulses – even if the results are a little fatuous – is almost always preferable to art that...

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Books, Arts & Letters

Castaway: Murray Bail’s "Fairweather"

Sebastian Smee

Starting out as an art critic for newspapers, in the early '90s, I remember well the way people talked about Murray Bail's 1981 monograph...

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