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Peter Conrad

Peter Conrad is a writer, academic and regular contributor to the Observer. His books include Verdi and/or Wagner, The Art of the City and Modern Times, Modern Places.
 
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An Auteur Planet: Pedro Almodóvar’s 'The Skin I Live In' and Lars von Trier’s 'Melancholia'

Peter Conrad

Ah, to be an auteur, with the power to impose your own kinked or crazy worldview on reality! Pleasing only yourself, you can cosmetically...

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Cabaret, Arts & Letters

Queen of the Night: Meeting Meow Meow

Peter Conrad

Allergic as I am to cats, whose fur causes my eyes to water and chokes my air passages, I have to admit a guarded fondness for Meow Meow,...

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Film, Arts & Letters

Shakespeare in Australia: Fred Schepisi’s 'The Eye of the Storm'

Peter Conrad

It’s fortunate that Australia’s new capital was called Canberra not Shakespeare, as a few Empire loyalists proposed at the time of...

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Arts & Letters

Under the Skin: 'Fred Williams: Infinite Horizons'

Peter Conrad

Until not long ago, Australian nature seemed averse to art. The trees were unkempt and drab, the vistas flat and dry, the colours...

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Arts & Letters

Empire of the Mind: Robert Hughes’s 'Rome'

Peter Conrad

In 1966 Robert Hughes concluded his first book, The Art of Australia, with a sardonic farewell to a country he had already quit. The final...

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The Monthly Essays

Can We Be Heroes?: Peter Conrad on Chris Lilley and the Politics of Comedy

Peter Conrad

Why indeed? Laughter is instinctive, and what it conveys is a flushed awareness of superiority. But there is more to it than one boy’s...

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The Monthly Essays

Falling Stars: The Plight of the Windsors

Peter Conrad

I, too, once saw her passing by, for a few seconds in 1954, on a scrubby hill in Hobart during her first Commonwealth tour. She passed by...

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Books, Arts & Letters

Lest We Forget: Hugh Lunn’s 'Words Fail Me: A Journey through Australia’s Lost Language'

Peter Conrad

Hugh Lunn, vegging out as he sunbakes in his popularity, has come up with an unstrenuous new method for manufacturing a book: why not...

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Art, Arts & Letters

The Faith of Images: 'Up Close'

Peter Conrad

Why, confronted by a camera, are we expected to smile? A face, as Carol Jerrems said, “tells the story of what a person is thinking”....

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Books

Sister Act: The Minogue Sisters

Peter Conrad

At the Royal Albert Hall in 1996, Kylie Minogue had an awe-inducing glimpse of the vacuum that she exists to fill. Nick Cave, after...

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