I am unable to infer from Keane’s review of my book, Liberty in the Age of Terror (‘Liberal...
A general's son who topped his class at West Point, MacArthur...
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Back IssuesNavigationLinksProm dresses | Local Music In November, Waleed Aly paid earnest tribute to the English rock pioneers Pink Floyd (‘Obscured by Clouds’). While I listen to Pink Floyd’s debut album, Piper at the Gates of Dawn, almost daily, and find their story interesting, I question its relevance in the context of the Monthly. Surely a magazine that offers such informative and stimulating accounts of developments in Australian literature, art and politics could have devoted those pages – spent covering the history of an English band – to a story that is relevant to the experiences of contemporary Australian music. If anyone were to look outside the narrow, advertorial content of street press and into the depths of Australia’s inner cities, they would find a wealth of exciting, newsworthy developments in local music. Because of the shortsighted music media in this country, these topics are relegated to online blogs and discussion forums. Daniel Stewart Recent letters to the editor
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University of Sydney
Historical EncountersWhen General Sir Thomas Blamey heard that General Douglas MacArthur had been appointed Supreme Commander of Allied Forces in the South West Pacific Area, he was enjoying a drink in the first-class lounge of the Queen Mary, two days out of Cape Town. It was March 1942, a Japanese invasion appeared imminent, and Blamey was on his way home from the Middle East to take charge of Australia's military forces. MacArthur's appointment, he told his staff, was the best thing that could have happened.
A general's son who topped his class at West Point, MacArthur... Monthly books
AC Grayling's 'Liberty in the Age of Terror'
Vladimir Nabokov's 'The Original of Laura: A Novel in Fragments'
Frederick Seidel's 'Ooga-Booga and Poems: 1959-2009'
Monthly musicMonthly film
Jacques Audiard's 'A Prophet' and John Hillcoat's 'The Road'
In A Prophet, a dazzling new film about innocence and power from Jacques Audiard (director of The Beat My Heart Skipped, 2005), 19-year-old Malik (Tahar Rahim) is about to embark on a six-year prison sentence for assaulting a cop. Polite and deferential, Malik is hard to read at first. The little we glean about his life is framed in terms of negatives: he has no contacts, no relatives; he didn’t grow up with his parents, but in juvenile centres. If he’s experiencing fear as he enters the chaos of the prison at Brécourt, he doesn’t show it. He’... Random reading
From the archive
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