Gough Whitlam & Enoch Powell
By Shane Maloney
At the 1938 ceremony for the conferring of degrees in the Faculties of Arts and Law at the University of Sydney, the address was given by the newly appointed professor of Greek, Enoch Powell. Although only 25, Powell came very well credentialled. The only son of ambitious schoolteacher parents, he was reading Ancient Greek by the age of five. An absolute swot, he’d gone on to master Platoni
'Life in Movement' by Bryan Mason and Sophie Hyde
By Anna Goldsworthy
Tanja Liedtke’s name was suddenly everywhere in May 2007, when she was appointed artistic director of Sydney Dance Company. The 29-year-old dancer and choreographer claimed to be “absolutely ecstatic” about her new role, and there was a great deal of ecstasy in the arts industry too: a notable lack of pre-emptive poppy-lopping, the genuine hope of generational change. Three months later
'The Hanging Garden' by Patrick White
By Michelle de Kretser
The publication of an unfinished draft is the writer’s version of that nightmare in which you find yourself naked in the street. Writers donate manuscripts to libraries, of course, but there is usually a finished work to offset those drafts. Also, the toilers in archives are generally steel-nerved academics accustomed to stripping finery from the great. But commercial publication is addressed to the common reader, and I, for one, am a