Australian politics, society & culture

Architecture Masterpiece

Lindsay & Kerry Clare - 'Gallery of Modern Art', Queensland, 2006

© Chris Harvey
© Chris Harvey

Haig Beck

Short read200 words
 
Cover: October 2011
October 2011
Daniel Nettheim’s The Hunter and Anh Hung Tran’s Norwegian Wood
John Collee
Lindsay & Kerry Clare - 'Gallery of Modern Art', Queensland, 2006
Haig Beck
Meeting Mary Finsterer
Andrew Ford
Marc Newson - 'Qantas A380 Economy Seat', 2008
Alan Saunders
Rolf de Heer - 'The Tracker', 2002
Adrian Martin
Chris Lilley - 'Summer Heights High', 2007
Marieke Hardy

Nowadays ‘masterpiece’ refers to a work of extraordinary artistic merit. But it once described a work by a craftsman made specifically to demonstrate mastery of (his) craft and so gain entry to a guild. This older meaning is appropriate to architecture, a practice lodged somewhere between fine arts and craft. The Gold Medal of the Australian Institute of Architects is a contemporary measure of mastery.

Brisbane’s Gallery of Modern Art, designed by 2010 Gold Medallists Lindsay and Kerry Clare (with James Jones), is a building readily available to the public. With its large overhanging roof, open verandahs and timber-batten screening, GoMA conveys a typical, familiar and regional expression of subtropical informality at a civic scale. It is a friendly, welcoming building, unexpectedly filled with natural light and with tactile surfaces that successfully deflate conventional expectations of the art gallery as an imposing institution. Here, grandeur and hauteur are exchanged for ideas of accessibility and the ordinary, refined and made beautiful and extraordinary.

—Haig Beck and Jackie Cooper