The Daisy was, by her own description, "passionate". She was also hard-headed, a woman without means or prospects in a man's world. Edwin, as well as being handsome and gallant, had the whiff of a pedigree and prospects of a remittance.
Their...
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Back IssuesNavigation | The Monthly, December 2008 - January 2009, No. 41In This Issue
The Nation Reviewed
Comment • Judith Brett
Panic & Censor • David Marr The Ant & the Butterfly • John van Tiggelen Ally of the Dolls • Alice Pung The Black Polo • Charles Firth The Monthly Essays
Getting Elected in Zanesville, Ohio
What Drives Economic Optimism?
Simone de Beauvoir & Jean-Paul Sartre
Arts & Letters
Big Thoughts, Empire Burlesque • Luke Davies Between a Muddle & a Mystery • Drusilla Modjeska A Stockingful • Peter Craven Peter Craven's Best Books for Summer 2008-09 • Peter Craven Slippin’ • Robert Forster Southern Discomfort • Juliana Engberg 'From Little Things Big Things Grow' by Paul Kelly & Kev Carmody • Mungo MacCallum 'Vertigo: A Novella' by Amanda Lohrey • Meg Mundell 'A Mercy' by Toni Morrison • Chris Womersley Encounters
Alfred Deakin & John Bunyan • Shane Maloney |
Sponsored linksRecently forwarded | The MonthlyHistorical EncountersThey were new chums, fresh off the boat. Daisy May O'Dwyer was 20, the porcelain-skinned daughter of a drunkard doctor from Cashel. Edwin Henry Murrant, a year younger, was English and claimed to be the illegitimate son of an Admiral. For each, Australia was a blank slate, a chance to invent themselves.
The Daisy was, by her own description, "passionate". She was also hard-headed, a woman without means or prospects in a man's world. Edwin, as well as being handsome and gallant, had the whiff of a pedigree and prospects of a remittance. Their... Monthly books
Herta Müller’s ‘The Land of Green Plums’ and ‘The Passport’
Jonathan Safran Foer’s ‘Eating Animals’
Monthly musicMonthly film
Jacques Audiard's 'A Prophet' and John Hillcoat's 'The Road'
In A Prophet, a dazzling new film about innocence and power from Jacques Audiard (director of The Beat My Heart Skipped, 2005), 19-year-old Malik (Tahar Rahim) is about to embark on a six-year prison sentence for assaulting a cop. Polite and deferential, Malik is hard to read at first. The little we glean about his life is framed in terms of negatives: he has no contacts, no relatives; he didn’t grow up with his parents, but in juvenile centres. If he’s experiencing fear as he enters the chaos of the prison at Brécourt, he doesn’t show it. He’... Random reading
From the archive
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