Australia's international future. New Lowy director Michael Wesley
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The rise of contemporary Chinese art. Chaired by Chris McAuliffe
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The NT Intervention, two years on. Pat Anderson
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The Monthly Essays

Kate Jennings | July 2009
Watching the movie Wake in Fright nearly 40 years after its release – 1971 – brought back one good memory for me of life in the Bush. » read more
John Birmingham | June 2009
One man's recession began in February, on Friday the 13th. Another's world came apart in March. » read more
Waleed Aly | June 2009
Yahya Hendi's office conjures up every romantic stereotype of life in the academy. » read more
Fiona Capp | June 2009
The last time I saw Judith Wright was in 1998. She was living in a small bedsit in Canberra. » read more

The Nation Reviewed

Noel Pearson | July 2009
A few prescient people – too few of them economists – are entitled to say of the current economic crisis, “I told you so.” » read more
Robert Manne | June 2009
The Labor government of James Scullin was elected in October 1929, the month of the Wall Street crash, which history regards as the beginning of the Great Depression. » read more
Nick Bryant | June 2009
Shirt by fluorescent-orange shirt, the quilt will take shape: a gaudy patchwork emblazoned with the logo of the world's biggest mining company, BHP Billiton, and embroidered with the names of its one-time employees who now have lost their jobs. » read more
Linda Jaivin | June 2009
We've come to the Telegraph Station, four kilometres north of Alice Springs, for a welcome to country by Marie, an Arrernte elder and traditional owner. » read more

Arts and Letters

Kate Jennings | July 2009
The plot of Wake in Fright is as old as an outcropping west of Menindee. » read more
Bill Henson | June 2009
Art tends to occur against our better judgment. At the most obvious level this happens when art creates scandal: think of the trials of such works of literature as Madame Bovary and James Joyce's Ulysses and Nabokov's Lolita. » read more
Tim Flannery | June 2009
James Lovelock's latest book, The Vanishing Face of Gaia: A Final Warning (Allen Lane, 192pp; $29.95), » read more
Robert Forster | June 2009
 "When did you write that? How did you happen ... to ... » read more
Luke Davies | June 2009
A woman in her thirties, a mother of two, suffers a debilitating aneurism. » read more

Letters to the editor

Fiona Capp’s essay on Judith Wright and Nugget Coombs (“In the Garden”, June 2009) is perhaps the most moving love story that I have ever read. » read more
Congratulations to Waleed Aly for his insightful article on the role and nature of US patriotism (“Patriot Acts”, June 2009). » read more
I just read John Birmingham’s story (“The Coming Storm”, June ... » read more

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The Online Monthly

Subscribe to The Online Monthly to read the current issue now.

  • Greg Barton | July 2009
    In April Indonesia held its third legislative election since the fall of the Suharto regime, eleven years ago. » read more
  • Gay Bilson | July 2009
    The most enchanting display in the original and permanent collection of the recently re-opened Museum of Economic Botany in the Botanic Gardens of Adelaide consists of about 350 apples, pears and plums, a few peaches and figs, and one forlorn, damaged pomegranate. » read more
  • John Birmingham | July 2009
    The dimpled orange, bursting with sweetness, that you cut for your breakfast this morning had been dying from the moment it was plucked from its twig. » read more
  • Benjamin Law | July 2009
    If the huddled group of males gathered outside on the kerbside were teenagers, you’d say they were loitering: hanging out after dark; warming their hands in a circle; talking in low, conspiratorial murmurs. » read more
  • Robert Manne | July 2009
    The morning of 7 February at Cottlesbridge, just south of the line of the most devastating bushfire in Australian history, and where our family has lived on 20 acres for the past 26 years, was baking hot but also relatively still. » read more
  • Sebastian Smee | July 2009
    Art that indulges anarchic impulses – even if the results are a little fatuous – is almost always preferable to art that signals its conformity to good taste. » read more

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